该片是为了纪念夏洛蒂·勃朗特诞辰200周年时拍摄的，有趣的是切入点是不成器的弟弟勃兰威尔，描述了三姐妹短暂的创作生涯。这一展现被很多人垢病，但我觉得也是另一种方式的挖掘。男性自耽于无谓的情感直至消亡，而女性却用隐忍和坚强在苦难中存活。
让观影者看到过去习惯于被理想化、浪漫化的三姐妹，其实一切不过始于没有继承权、也没能及时嫁出去的普通人家的女儿们，要怎样挣得一口面包。只有被放进她们的时代和阶级，才懂原来她们笔下所谓的浪漫是从绝望里长出来的。
最爱的有三段：夏洛特读艾米丽诗，伦敦书店之行，剧终三日凌空。夏洛特如简爱般坚毅果敢野心勃勃；艾米丽乖戾孤僻敏感悲悯，才气横溢却困囿于尘杂，她的才情是最超越时代的，不了解她的个性很难想象呼啸山庄的凄厉不安从何而来；安妮温婉识体，最被忽视但不可或缺，关键时刻主导时局。三人跳脱时代的魄力造就了其伟大。
有被剧中艾米莉的诗歌惊艳到，附于后：
他来了 伴着西风 伴着傍晚的流风
He comes with Western winds, with evening's wandering airs,
伴着带来繁星的清朗暮色
With that clear dusk of heaven that brings the thickest stars.
晚风忧戚 星如萤火
Winds take a pensive tone, and stars a tender fire,
幽思遐想 欲望折磨着我
And visions rise, and change, that kill me with desire.
石楠花海在它的吹拂下似波涛翻涌
High waving heather 'neath stormy blasts bending.
子夜 月光 伴着闪闪繁星
Midnight and moonlight and bright shining stars;
黑暗与荣耀欣然相汇
Darkness and glory rejoicingly blending,
大地升空 天庭陨落
Earth rising to heaven and heaven descending,
将人的灵性从阴郁的地牢解放
Man's spirit away from its drear dungeon sending,
冲破枷锁 逃出桎梏
Bursting the fetters and breaking the bars.
隐形的开始显现 藏匿的终被揭露
Then dawns the Invisible; the Unseen its truth reveals;
我的感官尽失 唯靠内心感受
My outward sense is gone, my inward essence feels;
快要挣脱束缚的双翼 寻到家园港湾
Its wings are almost free - its home, its harbour found,
丈量海湾 俯身最后一搏
Measuring the gulf, it stoops and dares the final bound.
多么可怕的枷锁 多么剧烈的痛苦
O dreadful is the check - intense the agony -
当耳朵开始倾听 眼睛开始探寻
When the ear begins to hear, and the eye begins to see;
当脉搏开始跳动 大脑再次运转
When the pulse begins to throb - the brain to think again -
灵魂触到血肉 血肉触到镣铐
The soul to feel the flesh, and the flesh to feel the chain.
但我将再无痛楚 无惧任何折磨
Yet I would lose no sting, would wish no torture less;
这苦痛越是折磨 我就越早拥抱福泽
The more that anguish racks the earlier it will bless;
即使地狱炼火为袍 亦闪烁着天国光辉
And robed in fires of hell, or bright with heavenly shine,
如果必须迎接死亡 那未来亦是神圣
If it but herald Death, the vision is divine.
还有一星🌟给片名的翻译
正片
