凯瑟琳·赫本深陷多角恋
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比兔TV为您提供1940年由加里·格兰特,凯瑟琳·赫本,詹姆斯·斯图尔特,露丝·赫希,约翰·霍华德主演,乔治·库克导演的《费城故事》/原名《The Philadelphia Story》/又名《旧欢新宠(港) / 欢喜新宠》喜剧 爱情 电影在线观看完整版,《费城故事》百度云网盘资源以及《费城故事》高清蓝光mp4迅雷下载,《费城故事》BT下载资源,希望您能喜欢!
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Plot Summary:Philadelphia socialites Tracy Lord and C.K. Dexter Haven married impulsively, with their marriage and subsequent divorce being equally passionate. They broke up when Dexter's drinking became excessive, it a mechanism to cope with Tracy's unforgiving manner to the imperfect, imperfections which Dexter admits he readily has. Two years after their break-up, Tracy is about to remarry, the ceremony to take place at the Lord mansion. Tracy's bridegroom is nouveau riche businessman and aspiring politician George Kittredge, who is otherwise a rather ordinary man and who idolizes Tracy. The day before the wedding, three unexpected guests show up at the Lord mansion: Macaulay Connor (Mike to his friends), Elizabeth Imbrie - the two who are friends of Tracy's absent brother, Junius- and Dexter himself. Dexter, an employee of the tabloid Spy magazine, made a deal with its publisher and editor Sidney Kidd to get a story on Tracy's wedding - the wedding of the year - in return for Kidd not publishing a salacious story with accompanying photographs of Tracy's father, Seth Lord, with a New York showgirl named Tina Marra. In reality, Mike and Liz are the reporter and photographer respectively for Spy. Mike and Liz don't particularly like this assignment or working for Kidd, but they need to make a living as their chosen other fields as serious writer and painter don't pay the bills. A suspicious Tracy is onto them, the entire truth which Dexter admits to her. Tracy decides to turn the tables on Mike and Liz. However, hours before the wedding, as the more self-assured Dexter and Liz get to work on how to get the Lords out from under Spy's threats, Tracy and Mike, both inebriated, go on a journey of self-discovery with Tracy ultimately coming to her realizations a little faster than Mike.
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台词太密集了,演员表现出色 标签:美国电影 美国 黑白 爱情 喜剧 1940s 1940
人物,情节都相当简单,戏剧冲突,探讨的实质却不简单。
老片子4:3的构图看着太舒服了,这片子就是看看两大帅哥和夏萍,至于故事和人物……不重要了。
记者男和富家女其实是一类人:自恋、对自己的精神世界关注过多以至于经常忽略了身边爱自己的人。短暂的浪漫邂逅让他们两个都从中获得成长,学会了责任与珍惜,而后各自回归原先的轨道,真诚地、游刃有余地去生活。这才是可持续发展的爱情片,吊打所有“男女主不顾一切在一起,一众配角无辜躺枪”的缺德电影。
我还需要稍微细品细思一下 Time and time again, 詹姆斯·斯图尔特是真男神。
老好莱坞了 drama everyday
景别的变换可以说是十分规规矩矩的。一个镜头在视觉上可以说是停滞与疲劳的,但是在一方面是声音-文本的溢出却让观众’目不暇接‘。两者完全是冲突的但是,观众还有一个所求,就是自由的呼吸与遐想的空间。 电影在那时也许还不是多元的。声音的处理完全是消极的。 我觉得这部电影也不是“腐朽传统的”,有几处:ex1:shot2是偏静态的,导致两个镜头之间的连接是卡顿的。 ex2:两个镜头之间缺少动作的过渡与衔接,导致可以说一种跳切。 如果说这两个例子也许是不经意之间的,但55:39秒处的剪辑方式,完全是刻意为之的。镜头的切换完全没有任何视觉和逻辑上的动机,可能观众对于两个镜头连接在一起合理处只是在于它们是’处于一场对话中,情境内。‘
无所谓女主选谁,我选James
对白精彩,演员语速超快。每段剧情连接的合情合理,虽然这是当时美国女性的价值观,但在这时候看也觉得不差。女性地位在当时开始崛起,她们也有追求真爱的权利。可以这么说这部电影象征着女权的崛起。可是在亚洲人眼里,欧美那种放纵的行为是不可接受的,所以看此片时一定要跳出自己的思维格局。典型的破镜重圆结局,实则相爱的人因为个人恩怨彼此分开,可在命运的助攻下俩人再重归旧好。其中的情节不乏搞笑与温情,女人与三个男人之间的爱恨纠葛,记者是冲动的情人,未婚夫是物质需求,男主是自己真爱。三个男人一台戏,女人能顶一片天。她有自己的选择权,不会被物质迷住双眼,不会被爱情冲昏头脑。她只选择她想要的,知道自己的错误也能原谅男方的过错,这就是成长吧。本电影由于年头太久(1940)配乐几乎没有很难调动观众情绪,只能靠演员演技。
米高梅换过几头狮子?
对早期女权主义的侧面评价?估计要了解一定的历史背景才真正看得明白吧。一股《育婴奇谭》里神经喜剧的感觉实在不太能忍,加一星给史都华的演技