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比兔TV为您提供1982年由香特尔·阿克曼,米开朗基罗·安东尼奥尼,马隆·巴格达帝,Ana Carolina,迈克·列昂,赖纳·维尔纳·法斯宾德,让-吕克·戈达尔,霍曼·顾皮勒,尤马兹·古尼,蒙特·赫尔曼,沃纳·赫尔佐格,罗伯特·克拉莫,保罗·莫里西,苏珊·塞德尔曼,Noël Simsolo,史蒂文·斯皮尔伯格,维姆·文德斯主演,维姆·文德斯导演的《666房间》/原名《Chambre 666》/又名《Room 666 / 666室》纪录片 电影在线观看完整版,《666房间》百度云网盘资源以及《666房间》高清蓝光mp4迅雷下载,《666房间》BT下载资源,希望您能喜欢!
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Plot Summary:During the '35th Cannes International Film Festival' (14th-26th May 1982), German director Wim Wenders asked a sample of 15 other international film directors to get, each one at a time, into the same hotel room to answer in solitude the same question about the future of cinema, while they were filmed with a 16mm camera and recorded with a Nagra sound recorder. In social sciences the goal of standardization is that each person is exposed to the same question experience, and that the recording setting of answers is the same, too, so that any differences in the answers can be correctly interpreted as reflecting differences between persons rather than differences in the process that produced the answer. The wide sampling frame in "Room 666" included European 'auteurs' and Hollywood directors, narrative and experimental filmmakers, male and female professional film directors that presented their films or were simply present at the 35th Cannes Festival in May 1982. The directors came from France, Italy, Brazil, Lebanon, Germany, Turkey, the Philippines and the USA. This unique documentary shows the complete footage (or selected parts) of the 15 answers that resulted from this 'standardized survey interviews'. The historical value of "Room 666" has increased over time: The 5 directors Rainer Werner Fassbinder, Yilmaz Güney, Maroun Bagdadi, Robert Kramer and Michelangelo Antonioni have died since then in this order. Fassbinder died only a few weeks later on June 10th 1982 and gave his last 'interview' in "Room 666".
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文德斯的好友,安东尼奥尼,戈达尔,法斯宾德,都在说着同一个答案,这是个另人心痛的答案,那就是接受,接受电影的改变,接受不纯洁。而艺术家的悲剧就是,当他们面临灭顶之灾时,他们依然只会拍电影。年轻影迷看得五味杂陈
1982年他们还正经讨论电视会不会取代电影,现在是电视都快要死了
又是我最爱的导演见面会式纪录片。关于Godard,Antonioni,Wenders,Spielberg,Fassbinder。电影的未来会由谁书写,时间不容忍最初的美好。
【1319】戈达尔说的好多!安公又有远见又乐观hhhh
大师们侃侃而谈,脱袜子接地气好有仪式感。
哈哈沃纳·赫尔佐格:我得把鞋脱了,你不能穿着鞋回答这种问题
刨除制造出来赚钱的自我繁衍的垃圾,真正的问题是电影是否需要观众,电影院已经死了,观众变成了大众,问题在作者论,作者出发,绕了一圈,起起伏伏,又回到了作者身上;也就是说为什么还做电影?为的是弄清楚自己,以及弄清楚很多东西,电影是一个好手段,像蔡明亮,你去研究和表达肉体和时间的关系,电影难道不是最好的方式吗?但这个世界可以没有电影,当然可以没有,文学什么的都一样,只不过我们依赖电影,不愿意浪费电影,并且爱很多导演的很多电影,希望人们停止问这种没必要的问题了,斯皮尔伯格谈钱,戈达尔谈缺席,无名导演谈白痴电影和没有钱的电影人,安东尼奥尼谈适应,阿克曼在哪?
7.0
对电影前途的忧虑和思考。喜欢戈达尔和安东尼奥尼。3.8
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